Pachelbel: Organ Works Vol.5
£14.73
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Label: Resonus Classics
Cat No: RES10366
Format: CD
Number of Discs: 1
Release Date: 20th March 2026
Contents
Works
Allein Gott in der Hoh' sei Ehr, P10Allein Gott in der Hoh' sei Ehr, P11
Auf meinen lieben Gott, P30
Der Tag, der ist so freudenreich, P85
Fantasia in C major, P123
Fantasia in D minor, P125
Fugue in C major, P145
Fugue in E Minor, P135
Fugue in F major, P156
Hexachordum Apollinis
Magnificat Fugue sexti toni no.4, P329
Magnificat Fugue sexti toni no.5, P330
Magnificat Fugue sexti toni no.6, P331
Magnificat Fugue sexti toni no.7, P332
Magnificat Fugue sexti toni no.8, P333
Magnificat Fugue sexti toni no.9, P334
Magnificat Fugue sexti toni no.10, P335
Magnificat Fugues sexti toni (3), P326
Toccata in E Minor, P462
Toccata in F major, P464
Wenn mein Stundlein vorhanden ist, P491
Artists
Matthew Owens (organ)Works
Allein Gott in der Hoh' sei Ehr, P10Allein Gott in der Hoh' sei Ehr, P11
Auf meinen lieben Gott, P30
Der Tag, der ist so freudenreich, P85
Fantasia in C major, P123
Fantasia in D minor, P125
Fugue in C major, P145
Fugue in E Minor, P135
Fugue in F major, P156
Hexachordum Apollinis
Magnificat Fugue sexti toni no.4, P329
Magnificat Fugue sexti toni no.5, P330
Magnificat Fugue sexti toni no.6, P331
Magnificat Fugue sexti toni no.7, P332
Magnificat Fugue sexti toni no.8, P333
Magnificat Fugue sexti toni no.9, P334
Magnificat Fugue sexti toni no.10, P335
Magnificat Fugues sexti toni (3), P326
Toccata in E Minor, P462
Toccata in F major, P464
Wenn mein Stundlein vorhanden ist, P491
Artists
Matthew Owens (organ)About
Recorded on the characterful historic Metzler organ of Trinity College, Cambridge, this programme illuminates Pachelbel’s synthesis of northern virtuosity and southern lyricism – from the cascading brilliance of the toccatas and the poised contrapuntal craft of the fugues, to the devotional intimacy of the chorale preludes and Magnificat Fugues.
Owens’s performances bring a rare clarity and expressive warmth to music that bridges liturgical purpose and concert artistry. With its elegant blend of scholarship, colour, and vitality, this latest instalment in the acclaimed series reaffirms Pachelbel as one of the most eloquent voices of seventeenth-century organ literature.
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